abbreviations "Tr" - a traditional, usually academic definition or symbol "Ex-" - example
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CADENCE A progression of chords giving an effect of closing a phrase
CELL (RHYTHMIC) see Rhythmic Cell
CHORD A vertical, simultaneous array of notes. see Triad and Tetrad, often used to represent a specific sonority rather than a tonal function.
CHORDAL FUNCTION Each Tetrad has 4 distinct Chordal Functions, divided in 2 groups The Primary Notes of the FRAME (the root and the fifth) The COMMON TONE which is common to both chords of the progression The PROPER TONE, the other note of the FRAME The Secondary Notes The MEDIAN (the third) which is placed inside the FRAME and which determines the mode (major or minor) of the chord The MOTRIX (the seventh or sixth) which is placed outside of the FRAME and which determines the resolution-direction of the chord
CHORD PATTERNS A rhythmically and tonally structured series of chords, essential to Melo-harmony
CHORD PROGRESSIONS A system of numbering, cataloguing the 9 progressions of the nucleus of a mode.
CHORD SYMBOLS A kind of shorthand extensively used in American popular music, which we have extended in view of representing the true nature of each chord
(maintaining its original identity while depicting its various transformations)
CHROMATIC NOTES All notes placed ouside of the diatonic Window
CHROMATICISM A Transformation in Harmony in which one (or several) member(s) of a chord are chromaticized (made sharper or flatter).
CHROMINIC Related to Chrominicism.
CHROMINIC POSITION The position of a note or chord on the Chrominic Scale.
CHROMINIC SCALE Measurement scale for Chrominicism, used to quantify Chrominic Positions and relative sharpness and flatness with a measurement
unit of 1/84th of an octave
CHROMINICISM Qualitative Dimension in the World of Pitch (measured in notches of 1/84 of an octave). It is also a form of mini-chromaticism,
presented in Chrominicism. It is also described as a relative Temperature of notes and chords.
CLUSTERS Chords in which the eventual disposition (after Transformations) is tighter and the sonority more discordant than in its original,
basic state. see Sonorities
COLOR Color is used extensively on this site to denote (1) smaller or larger rhythmic levels, (2) the 4 chordal functions in harmony,
(3) different forms of tuning.
COMMON TONE The note common to both chords of a progression. see Chordal Function
COMPARTMENT See Melo-rhythmic box COMPOSING
The art of organizing sound and/or motion, in time, for later performance(s). See Improvising.
COMPOSING MUSIC
The art of organizing sound in the Music phenomenon.
COUNTER(-DOMINANT) 1. Tr- The Subdominant chord 2. The chord next to the TONIC (in the Window), on the opposite side to that of the DOMINANT
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