Mixing both diminished seventh
and augmented triad look/sound

It is possible to travel between the 3 major chords (at the bottom of the Window)
     by using the diminished seventh look/sound
          as we move toward the center of the Window (by ascending fifth) and
     by using the augmented triad look/sound
          as we move toward the edge of the Window (by descending fifth).

-We have here the chord progression -
          C+5 / F, F+6+1 (not D#o7) / C, C+6+1 (not A#o7) / G, G+5 / C
     - a swing between TONIC C and COUNTER F, and
     - another between TONIC C and DOMINANT G.
This chord progession is then repeated a second time,
     - with the Soprano and Tenor voices inverted and
     - with the Alto and Bass voices inverted.
The choice of bass notes (the inversion of each chord) is not indicated.

Inverting in minor
It is also possible to travel between the 3 minor chords (at the top of the Window)
     by using the diminished seventh look/sound
          as we move toward the center of the Window (by descending fifth) and
     by using the augmented triad look/sound
          as we move toward the edge of the Window (by ascending fifth).

-We have here the chord progression -
          Am-1 (not Ab+) / Em, Em-7-5 / Am7, Am-7-5 / Dm, Dm-1 (not Db+) / Am
This is not an exact inversion of the preceding example,
     - the Soprano and Tenor voices have been interchanged,
     - chords 4 and 12 do not have MOTRIX substitutions (the G remains in Am7).
     - on chord 15 we have both the Db (in the Alto) and D (in the Fundamental Bass).