Melody/Symbiosis/Archetypes/in Melo-Rhythm

Ah, vous dirai-je, maman

The English version
This popular children's song is known in English asTwinkle, Twinkle, Little Star,
     the very first piece violinists learn in the Suzuki Method.

Analysis
With a Melo-Rhythm of Half noteHalf note / Half noteHalf note' \ Half noteHalf note // Whole note (usually written with smaller note-values),
     this seems to be the simplest and most fundamental Melo-Rhythmic Archetype
          that has "practical" musical signification.
     In the complete ABA of the song,
          this archetype is used twice in each A and in the B.

Variations

With more subdivision

Au clair de la lune
     with more subdivision of the Off-beats, in bars 1 and 3.
With a Melo-Rhythm of Quarter noteQuarter noteQuarter noteQuarter note / Half noteHalf note' \ Quarter noteQuarter noteQuarter noteQuarter note // Whole note,
     it has an English counterpart in Aura Lee, also known as Love Me Tender,
with a Melo-Rhythm of Quarter noteQuarter noteQuarter noteQuarter note / Quarter noteQuarter noteHalf note' \ Quarter noteQuarter noteQuarter noteQuarter note // Whole note.
     In the complete AABA of the French and English songs,
          this archetype is used twice in each A and in the B.

D'où viens-tu, bergère?
     with more subdivision of the Beat, in bar 2.
With a Melo-Rhythm of Half noteHalf note / Quarter noteQuarter noteQuarter noteQuarter note' \ Half noteHalf note // Whole note,
     which we also find in the beginning of Over The Rainbow.

With less subdivision

À la volette
With a Melo-Rhythm of Half noteHalf note / Whole note \ Whole note // Half noteHalf note' \ Half noteHalf note / Whole note \ Whole note /// Whole note (written with smaller note-values),
     (a) it uses the original archetype twice with a Langer Hinge in the center, and
     (b) it has removed all subdivision in values 2, 3, 6, and 7,
          a very French procedure with no English counterpart,
               which attracts attention to the next larger level, Level +1.

J'ai du bon tabac

Analysis
With a Melo-Rhythm of Quarter noteQuarter noteQuarter noteQuarter note / Half note'Quarter noteQuarter note \ Half noteHalf note // Whole note (usually written with smaller note-values),
     this archetype passes to a smaller level after the breath with Quarter noteQuarter note / Half note \ Half note // Whole note ,
               the end of À la volette,
          the longer value at the end accomodating the return to the larger opening level.